Sometimes the bodies are moving by themselves not submitting to their owners, this is how the dolls were shown at old-fashion ballets. Sometimes the characters are affected by the sudden tremor. The steps at the prostration, the weak-willed overturned bodies, the lifts by the neck, the bended verticals,- the human is locked at the prison of his own painful apparitions. This quartet is an ensemble of the disconnection. But there is a paradox: the ballet doesn’t leave any heavy feeling, on the contrary, there is a positive and even joyful feeling of youth triumphs. The idea is dark but the creative spirit of the performers much alive and strong then the dark colours. The choreography of the Quatro is beautiful and excellent done: the picture is sharp, the centres of gravity are adjusted and moved, the rhythmic pauses are expressive. The language of Edward Clug appears an interesting and close to our dancers…
